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We spoke to Parker, Curtis, producer Judy Craymer, and many of our favorite Mamma Mia 2 scene-stealers about what went into concluding a sequel that probably should never have happened in the first place. The whole thing is simultaneously campy and straight-facedly earnest, coming together with the goofy, heartfelt energy of a slapdash community theater production, albeit one put on by some of the most famous actors in the world.īut its epic conclusion is even more charmingly arbitrary, a space-time-melting, death-defying, and even sob-inducing 30-plus-minute sequence that includes but is not limited to: Cher helicoptering out of nowhere onto said Greek island Cher making out with Andy Garcia after singing ABBA’s “Fernando” Lily James giving strenuous birth atop a mountain an improvised dance routine wherein Meryl Streep, Christine Baranski, Julie Walters, Colin Firth, Stellan Skarsgård, and Pierce Brosnan shimmy in spandex alongside their younger counterparts, defying time and space and the ghost of Streep. Mamma Mia 2 flashes back and forth between young hippie Donna Sheridan’s (Lily James) early dating misadventures, which eventually lead her to a faraway Greek island where she conceives her daughter Sophie (Amanda Seyfried), who, in the present day, is involved in a manic attempt to realize her now-dead mother’s (Meryl Streep) dream of opening a remote Grecian inn. It is about coming back from the dead it is about getting accidentally pregnant it is an ode to DIY renovation and shagging across 1970s Europe. It’s difficult to capture its psychedelic, heartwarming essence with mere human words.
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Written and directed by Ol Parker with help from rom-com legend Richard Curtis, the much-maligned and much-beloved 2018 sequel feels like a dream you might have after falling off a ladder and being knocked unconscious. There are drugs, and then there is the ending of Mamma Mia! Here We Go Again. We are republishing it in honor of Vulture’s Sequels Week.